By: Matt Overton Four years and almost half a billion dollars later, Rian Johnson has fulfilled his commitment to Netflix...

By: Matt Overton There must be some poor souls out there who spend enough money on a stripper that they...

By: Matt Overton With Frankenstein (2025), esteemed auteur Guillermo del Toro reunites with his beloved monster genre and Netflix’s payroll....

By: Matt Overton The Twenty-second Joint Glory, glory, hallelujah! Not only are we celebrating the fact that I have finished...

By: Matt Overton The Twenty-first Joint I foolishly assumed I had reached the nadir of Spike Lee’s career with his...

By: Matt Overton The Twentieth Joint In a career filled with deliberately controversial and provocative films, Spike Lee accomplished the...

By: Matt Overton Paul Thomas Anderson’s newest film, One Battle After Another, has met the moment in history better than any...

By: Matt Overton I attended my first Gofobo early screening tonight for the release of HIM—shoutout to TeamNBS for procuring...

By: Matt Overton All That Jazz is one of those elusive films that I never heard of before joining Letterboxd,...

By: Matt Overton The Nineteenth Joint Has anyone ever identified a slump era in Spike Lee’s career? I find it...